#Matthew barney 2020 series#
Drawing Restraint 7 marks the influx of narrative and characterization, resulting in a three channel video and a series of drawings and photographs, for which Barney was awarded the Aperto Prize in the 1993 Venice Biennale.Ī series of ten vitrines containing drawings, Drawing Restraint 8 was included in the 2003 Venice Biennale and prefigured the narrative development for Drawing Restraint 9 (2005). In literally restraining the body while attempting to make a drawing, Drawing Restraint 1–6 (1987–89) were documentations made using video and photography. The Drawing Restraint series began in 1987 as a series of studio experiments, drawing upon an athletic model of development in which growth occurs only through restraint: the muscle encounters resistance, becomes engorged and is broken down, and in healing becomes stronger. Īs of 2014, Barney maintained a studio in Long Island City, Queens. By September 2013, Barney and Björk were no longer a couple Björk chronicled the breakup in her 2015 album Vulnicura. In 2002, Barney had a daughter with his then partner, the singer Björk, with whom he lived in a penthouse co-op in Brooklyn Heights. In the 1990s Barney moved to New York, where he worked as a catalog model, a career that helped him finance his early work as an artist. His earliest works, created at Yale, were staged at the university's Payne Whitney Gymnasium. īarney was recruited by Yale University in 1985 to play football and planned to go into pre-med, but he also intended to study art. It was there where he was first introduced to the art scene. His parents divorced and his mother, an abstract painter, moved to New York City, where he would frequently visit. He lived in Boise, Idaho from 1973 to 1985, where his father got a job administering a catering service at Boise State University and where he attended elementary, middle, and high school.
Matthew Barney was born March 25, 1967, as the younger of two children in San Francisco, California, where he lived until he was 7. Between 19, he created The Cremaster Cycle, a series of five films described by Jonathan Jones in The Guardian as "one of the most imaginative and brilliant achievements in the history of avant-garde cinema." He is also known for his projects Drawing Restraint 9 (2005), River of Fundament (2014) and Redoubt (2018). His early pieces were sculptural installations combined with performance and video. His works explore connections among geography, biology, geology and mythology as well as themes of conflict and failure. Matthew Barney (born March 25, 1967) is an American contemporary artist and film director who works in the fields of sculpture, film, photography and drawing. In this sense, ethos is akin to that of experimental work of the 60s and 70s".ĥ:01 Minute Video - Museum of Modern Art, New York More. Fellow artist Sophie Arkette observed that "These works do not refer to something static, a composed form, but reveal the way one action precipitates another in the course of making a work What is crucial in the life of work is the attempt at doing something regardless of the outcome.
#Matthew barney 2020 archive#
The resultant video recording, drawings, and "set" (featuring various items of gym apparatus) exist as an archive of the performance. By applying the idea of hypertrophy to artistic growth - be that physical, cultural, or spiritual - he explored the concept that the "strongest" artists (like the strongest athletes) should have to overcome self-imposed obstacles in order to create something "higher" something more "powerful". Through this experiment, Barney had effectively confronted the time-honored maxim that the best art is a spontaneous, reflexive, activity. The earliest in the series ( Drawing Restraint 1-6, produced between 1987-89) brought together drawing, photography, and video performance in a way that reflected Barney's preoccupation with hypertrophy that being the idea that athletic physicality and strength is built up through muscle resistance.ĭrawing Restraint 2 was a gymnasium-based performance in which the artist made artistic "marks" on walls and ceiling while tethered to a ramp with bungee cords.
The Drawing Restraint series was a long-term project that Barney began in 1987 while still an undergraduate at Yale.
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